The Way I See It

Posts Tagged ‘Canon S100

Snow Days

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雪天

雪天

We’ve had snow on the ground for the past several days. Not terribly unusual for Seattle, but interesting nonetheless because we get so little of it each year that the most people stay home and a lot of businesses, government offices and schools either shut down or have abbreviated hours. I made this image on Sunday, after the first snowfall.

Photog Notes
1/200 second, f/5.6 on a Canon Powershot S100 point-and-shoot set at ISO 200. I love how snow days make everything so monochromatic. This image is very much what came out of the camera. In processing, I applied a teeny bit of spot tone adjustment to compensate for the somewhat uneven lighting. No typical copyright watermark on this one – I decided to apply a Chinese-style stamp to reflect the art and other things that inspire me these days.

 

Written by xinapray

January 20, 2012 at 3:41 pm

Somewhere Between The Cake and The Eggs

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Christmas Eve, 2011

Christmas Eve, 2011

My last two errands on Christmas Eve were to pick up the cake for the party, and the eggs for breakfast on Christmas morning. While heading to the cake shop, I saw that beautiful clouds were beginning to form on the horizon and surmised that with the current conditions there was going to be the chance for a decent sunset. After picking up the cake, I headed down to the water. All I had with me was the Canon S100 point-and-shoot but no matter, I had been wanting to try out it’s low light capabilities anyway.

Photog Notes
This image is a composite of two images, one exposed for the sky and distant water, the other for the foreground. Without the big camera and filter set up, I knew going into this shoot that the game plan would entail multiple exposures, then blending them in post processing to create an even exposure across the frame (aka a high dynamic range composite, if you will). Luckily, I had my regular tripod with me – this sturdy setup allowed me to set up in the water without any movement or change in position between frames.

In post processing, I converted the RAW files with Canon’s Digital Photo Pro, then built the composite in GIMP. Both images for the composite were shot in manual exposure at ISO 80, f/8 to allow the sensor to capture the most detail. I exposed the foreground image at 3.2 seconds to allow the water surface to glass over. The distant scene was exposed at 1 second to preserve the colors and patterns in the clouds. As expected, the S100’s sensor-lens combination performed like a champ when satisfied with the proper amount of light.

 

Brrrr!

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winter style

winter style

We’re pretty spoiled in Seattle. Our geography and proximity to the ocean (currents) provide us with mild weather all year round. Wet maybe, but definitely tolerable. December, however, blew in with some attitude. I made this image earlier this week on a morning when the frost was thick on the ground.

Photog Notes
This is another image from my ongoing test of the Canon PowerShot S100. I made this exposure at 1/200 second with the camera set at ISO 400. To control the depth of field, I shot the lens at a wide-open f/2. What I like most is the cool tones that the auto white balance imparted. In processing the RAW image, I tried a variety of settings but nothing came as close to reproducing the light and color that day as the in-camera white balance.

 

Potpourri

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Potpourri

Potpourri

For the past several weeks, I have been testing Canon’s new S100 point-and-shoot camera. I made this image while walking around Green Lake (our local urban lake). I had stopped at a local fishing spot to survey the fall colors that fringed the water and discovered this scene, undulating gently at my feet. As I leaned toward the surface to take a closer look, the sweet, earthy bouquet of maple rose to greet me. What a pleasant surprise gift of nature.

Photog Notes
I made this image at ISO 400, exposure set for 1/30 second at f/8. What you see is the full frame. The details and clarity speak to the sharpness of the lens and it’s superior integration with the sensor and electronics. The from-camera JPG was beautiful and eminently usable but I decided to process the RAW file to correct for a bit of blueness from the auto white balance. I also applied the tiniest bit of tone mapping to bring out the wonderful gradations in the scene.

Written by xinapray

December 10, 2011 at 4:58 pm

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